The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them. On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Billy Crudup also tries his best with little to do. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'. Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. Lets start with 'Alien: Covenant's' strengths. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor.
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Their different expectations take a toll on them when they find something unimaginable.
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